Fortepan 400 Film

In case you haven't heard, there is a tremendous thing happening, and it involves free film!

The Film Photography Podcast, headed up by the enthusiastic Michael Raso, has monthly giveaways of both 35mm and medium format film. I've been extra lucky in the month of July because I happened to be one of those few who received some film in the mail.

Mike sent me a roll of Fortepan 400 B&W and a roll of EasyClix 400 color print film (I'll be shooting that one soon and will write another review of it).

Over the weekend a couple of friends were participating in a 48 hour film project, in which they had from Friday night to Sunday night to write, shoot, edit, and create music for a short film. It was a tremendous undertaking and I am very proud of them for doing it. There will be screenings for all the films created over the weekend on Wednesday August 11 and Thursday August 12 at 7pm at the Market Arcade in downtown Buffalo. You should head out there if you have a chance.

But back to the roll of Fortepan - this is what it looks like:It even comes with that neat little spec sheet that gives development times for different chemicals and some tips on shooting the film.

The main reason I chose to shoot this film at this time was because of what I have seen others do with it. All the examples I found online were rather grainy and had a bit lower contrast, so I figured that since we were going to be on an old farm with a lot of different textures and excellent subjects it would make the most sense to shoot this grainy, organic film. The film also expired in 2000, so I expected even more grain. And, in the end, this was also pushed a little further because I processed the exposed film in Rodinal (that was the only developer that I had on hand at the time).

This is the first shot from the roll. And it sort of explains the rest of the farm. There is a lot of plank, a lot of deterioration, and a lot of beauty. The film looks the way I had expected, after looking at what other people had done. The grain is definitely noticeable, especially where the focus falls off.

I decided to shoot this roll with my Konica Auto S2 for a number of reasons. First of all, it is nearly fifty years old. It shares so much with the barns on this farm; unlike those barns, though, the camera has been given a second chance to live through a complete CLA. The barns haven't been so lucky. The smaller of the two is being slowly taken apart, plank by plank. It is starting to become a problem and it would be better to see it taken down rather than face ultimate collapse.

The second reason that I decided to use the Konica is that the gentleman that it belonged to before me traveled with it throughout Europe. The camera had been so many places and seen so many things, and I thought it would only be right to give it a chance to see a bit more. And, perhaps, it would be able to see something that it had never known before.

While the others were preparing to film, I decided to shoot a few behind-the-scenes shots on this film. I figured it wouldn't hurt anything, and at the very least, I might get a couple neat images out of it. The house in this image is an early 19th century farmhouse that has been meticulously taken care of by my friend's father. It is such a beautiful place that truly lends itself to the past. In the film, the man returns to his childhood home with his girlfriend/wife after his father's death. This is them standing and looking at it.

During filming I also took a couple of the Directors/Actors/Helpers aside to do some portrait work, just to see what would come of it. This was my favorite of all the portraits. It almost has a candid-posed feel to it (if that is even possible). The contrast was great, and I thought the framing worked well with the leading lines, subject, etc.

In the end, I'd say that I had a really great time shooting this film. It was everything that I hoped it would be, and as a sucker for expired film, it definitely met my expectations.

It is always a treat to work with expired or odd films, and when I can do it for free, it just makes it that much better.

I want to give a very special Thank You to Mike from the FPP for sending me this film.

Keep shooting that film!

More and More

Half, a photo by ChristopherFecio on Flickr.

This is a shot from Memorial Day. The rollers on the holder were messed up so they didn't develop the whole frame. I like it anyway. The Colors.

The Colors.

Just shooting more film, as always.

I just recently won a Polaroid Land Camera from the Film Photography Podcast's (FPP) most recent episode. How exciting! I was looking at buying one at several antique stores and on eBay, but now I won't have to. How great!
So now I'm looking at film for that and will most likely be buying a bunch of it in the very near future to play with.

My work has been on view at SPoT Coffee on Elmwood, in Buffalo, since June 1, and I think it will be coming down soon. I didn't end up selling anything, but the good news is that I received a lot of positive feedback on it. And that's always a good thing.

The darkroom is 99.96% finished. It's going really slowly, but it will be done very, very soon because I bought the last things I need for it. It's time to start printing and making cyanotypes. And developing black and white 4x5 film - my true passion.

So why not stay tuned and see how that goes?

Polaroid Fun

Dad, a photo by ChristopherFecio on Flickr.

Who says you can't teach an old dog new tricks?

This Polaroid film that had an expiration date of 1985 looks (nearly) brand new. It still has good color and I barely had to adjust the exposure.

Happy Father's Day to everyone out there. This is my dad - one of the greatest people I have ever had the pleasure to know. There are so many things I can say about him, but that would all take too long, so I'll just say this - I wouldn't be half the person I am today without him. Thanks for everything, dad.

Film, Photography, and a Podcast

As long as I have a bit of time, I thought I'd give a bit of a shout out to one of the only podcasts I've ever listened to. It is a little thing called the Film Photography Podcast, and is headed by the energetic Michael Raso. The link above will take you to the general website, and from there you can get on over to the Flickr site, the blog, and the store! If you have any sort of interest in film photography, the guys on this podcast really make it fun. They talk about a lot of really relevant things (lately it has been a bit Polaroid/Fuji Instant heavy) including darkroom tips, different cameras, films, and they just generally have a lot of fun. The sound effects and music make the show even more enjoyable. Why not jump over and take a listen?

I've finally processed my first few rolls of color negative film with my C41 kit, and they look great! I still have to scan all of them (I think my pile is up to somewhere around 23 rolls) but the negatives look nice and thick and the colors don't look so bad. I'm looking at finally getting a scanner in the very near future - it would be easier if I didn't shoot any 4x5 (and if I didn't just buy the parts for a 5x7 camera - but more on that at a later date) because then I could get a lower range one. But, alas, I am deciding between the Epson V700 and the Epson V750. It will be nice to finally have a scanner at home that I can use at my leisure for both the Polaroids I have sitting on my table and all that gorgeous film.

Tomorrow I may be heading to the Apple store (fingers crossed) and looking at - and perhaps purchasing - a new computer. The one I am using now is over 5 years old and the screen can't be moved without shorting out. I want to upgrade to an iMac - the colors are gorgeous, and they are absolutely wonderful computers. A bit pricey, but I am used to using them at school for all my photo stuff so it won't be anything crazy to learn. I'll just have to take it in stride and see if I can afford to get it now. It would be nice to get both the computer and scanner at a similar time so I can just scan right onto the new hard drive rather than messing with my old computer and then transferring everything. Wish me luck!

Keep the cameras shooting, and keep the film rolling.

Oh! And an odd, unrelated note - I finally bought a neck strap for my Mamiya so it's way more portable and easier to use. And not too uncomfortable!

I'll probably be cross processing my first roll of e6 tomorrow so I hope that goes well.

When you hold it in your hand,
you can see what I see.
When you press the little button,
you'll let your dreams fly free.

Scans

Tom, a photo by ChristopherFecio on Flickr.

I finally had a chance to scan in my backlog of film. Unfortunately, I also just shot three more rolls yesterday at the Film Photography meetup in Toronto. Just can't get head of the game.

I'm considering finally spending the money to buy my own scanner, as I won't be able to use the one at UB all summer while the lab is closed. I just have to decide which one I want and figure out how I'm going to pay for it. Maybe it's time to stop buying film and endlessly spending on unimportant things. And it's almost time to start riding my bike to work so I'll be saving some money there.

4x5 season is just about to be here. Time to lug out the beast and have some fun. I have a few projects in mind. We'll see.

I'll just keep editing and posting the scanned film so look for more uploads on Flickr.

Best.

Film Film Film

I have a couple rolls of 220, a couple rolls of 120, and now a roll or 35mm film to scan. And all this on the eve of my trip to New York City for a Film Photography Meetup (organized by members of the Film Photography Podcast). I'm going to be shooting and shooting and shooting film like it is going out of style. I think the most difficult decision I have to make regarding the trip is which film to bring and what order to shoot it in. I'm bringing the Konica Auto S2 and the Mamiya RZ67 (with the 120 and 6x6 backs). I'm looking forward to meeting some other people who really enjoy film. And I can't wait to see Mat Marrash's 8x10 camera in action.

See you after the weekend.

Love it or Leave it

Now this may just be a spur of the moment complaint, but what is going on with all this HDR photography lately? If you don't know what HDR is, then you may want to pop it into your favorite search engine and look it up (if you prefer your photography untainted, try not to look at any example images). Every photographer wants a full range of values in his/her image, but these guys are just pushing it way too far.

I want to make it clear, at this point, that I'm not talking about every single photographer who is creating digital HDR images. I have seen more than a handful that work extremely well and make me tip my hat. But, unfortunately, it seems that these are the exception.

The majority of photographers doing digital HDR just push and push and push until the photograph becomes less of a photograph and more of an eyesore. It just isn't practical to take 10 or 12 values and combine them all into one image. It will always look overdone. Always. And the worst part is that you can just import bracketed images into Photoshop or any number of other editing software and it will do it for you. Thanks, technology...

I could point you to a few very extreme examples, but for your sake, and mine, I think it is better if I don't.

If you want to get an amazing dynamic range, why not just shoot film? It is made to have a naturally high range. Why fake it? Why try to copy film instead of just using it?

If you enjoy your over processed, disgusting looking photographs, then go right ahead and take them. Just don't expect me too appreciate, or even look at them.

Konica Auto S2

Konica Auto S2, a photo by ChristopherFecio on Flickr.

It finally arrived back, all fixed.

I can't wait to shoot with it.